Yves Tanguy The Furniture of Time 1939 Art Style Name

Siddhesh Joshi (Editor)
I enjoy creating and spreading knowledgeable content for everyone around the world and try my best not to leave even the smallest of mistakes go unnoticed.

Yves Tanguy

Covid-19

French & American Painting Surrealism		Yves Tanguy Surrealism Pierre Matisse
Jan 5, 1900 (1900-01-05) Paris, French republic Jan 15, 1955, Woodbury, Connecticut, United States ArtworkMama - Papa Is Wounded!, The Furniture of Fourth dimension, The Rapidity of Sleep, Slowly Toward the Due north, Extinction of Useless Lights Similar PeopleMax Ernst, Kay Sage, Giorgio de Chirico, Andre Masson, Human being Ray

Raymond Georges Yves Tanguy (Jan 5, 1900 – Jan 15, 1955), known as Yves Tanguy, was a French surrealist painter.

• Yves Tanguy Artworks
• Yves Tanguy
• Biography
• Style and legacy
• 1920s
• 1930s
• 1940s
• 1950s
• Books about Yves Tanguy
• References

Tanguy, the son of a retired navy captain, was born at the Ministry of Naval Affairs on Place de la Concorde in Paris, France. His parents were both of Breton origin. After his begetter's death in 1908, his mother moved dorsum to her native Locronan, Finistère, and he ended upward spending much of his youth living with various relatives.

In 1918, Tanguy briefly joined the merchant navy earlier being drafted into the Army, where he befriended Jacques Prévert. At the finish of his military service in 1922, he returned to Paris, where he worked various odd jobs. He stumbled upon a painting by Giorgio de Chirico and was and then deeply impressed he resolved to become a painter himself in spite of his complete lack of formal training.

Tanguy had a habit of being completely captivated by the current painting he was working on. This mode of creating artwork may take been due to his very modest studio which only had plenty room for one wet piece.

Through his friend Prévert, in around 1924 Tanguy was introduced into the circle of surrealist artists around André Breton. Tanguy rapidly began to develop his ain unique painting style, giving his showtime solo exhibition in Paris in 1927, and marrying his kickoff wife Jeannette Ducrocq (1896-1977) afterward that same year. During this busy time of his life, Breton gave Tanguy a contract to paint 12 pieces a year. With his fixed income, he painted less and concluded up creating merely viii works of fine art for Breton.

In Dec 1930, at an early screening of Buñuel and Dali's Fifty'Age d'Or, right-wing activists went to the lobby of the movie house where the film was being screened, and destroyed art works by Dalí, Joan Miró, Homo Ray, Tanguy, and others.

Throughout the 1930s, Tanguy adopted the bohemian lifestyle of the struggling artist with gusto, leading eventually to the failure of his kickoff wedlock. He had an intense affair with Peggy Guggenheim in 1938 when he went to London with his wife Jeannette Ducrocq to hang his first retrospective exhibition in Britain at her gallery Guggenheim Jeune. The exhibition was a keen success and Guggenheim wrote in her autobiography that "Tanguy found himself rich for the get-go time in his life". She purchased his pictures Toilette de Fifty'Air and The Sun in Its Precious stone Case (Le Soleil dans son écrin) for her collection. Tanguy also painted Peggy ii beautiful earrings. The affair continued in both London and Paris and only finished when Tanguy met a boyfriend Surrealist artist who would become his second wife.

In 1938, later on seeing the work of fellow artist Kay Sage, Tanguy began a relationship which led to his 2nd wedlock. With the outbreak of World State of war II, Sage moved back to her native New York, and Tanguy, judged unfit for military service, followed her. He would spend the remainder of his life in the United States. Sage and Tanguy were married in Reno, Nevada on Baronial 17, 1940. Toward the terminate of the state of war, the couple moved to Woodbury, Connecticut, converting an old farmhouse into an artists' studio. They spent the rest of their lives there. In 1948, he became a naturalized denizen of the United States.

In Jan 1955, Tanguy suffered a fatal stroke at Woodbury. His body was cremated and his ashes preserved until Sage's death in 1963. Later, his ashes were scattered by his friend Pierre Matisse on the embankment at Douarnenez in his beloved Brittany, together with those of his wife.

Style and legacy

Tanguy's paintings have a unique, immediately recognizable style of nonrepresentational surrealism. They testify vast, abstruse landscapes, mostly in a tightly express palette of colors, simply occasionally showing flashes of contrasting colour accents. Typically, these conflicting landscapes are populated with various abstract shapes, sometimes angular and sharp equally shards of drinking glass, sometimes with an intriguingly organic look to them, like giant amoebae suddenly turned to rock.

Co-ordinate to Nathalia Brodskaïa, Mama, Papa is Wounded! (1927) is one of Tanguy's virtually impressive paintings. He took the title of this and other works from psychiatric textbooks: "I remember spending a whole afternoon with ... André Breton," he said, "leafing through books on psychiatry in the search for statements of patients which could be used as titles for paintings." Brodskaïa writes that the painting reflects his debt to Giorgio de Chirico – falling shadows and a classical torso – and conjures upward a sense of doom: the horizon, the emptiness of the plain, the lone plant, the smoke, the helplessness of the small-scale figures. Tanguy said that it was an image he saw entirely in his imagination earlier starting to paint information technology.

Tanguy'due south style was an important influence on several younger painters, such as Roberto Matta, Wolfgang Paalen, and Esteban Francés, who adopted a Surrealist way in the 1930s. Later, Tanguy's paintings (and, less directly, those of de Chirico) influenced the way of the French animated motion picture Le Roi et l'oiseau, by Paul Grimault and Prévert.

Vite! Vite! (1924)

Rue de la Santé (1925) The Museum of Modern Fine art, New York

Self Portrait (1925) Individual Collection

Dancing (1925) Private Drove

The Testament of Jacques Prévert (1925) Private Collection

Fantômas (1925–26) Individual Drove

The Storm (1926)

The Lighthouse (1926) Individual Drove, France

The Girl with Carmine Pilus (1926) Private Collection

Championship Unknown (The Giantess, The Ladder) (1926) Individual Collection

I Came As I Had Promised. Bye (1926) Dieter Scharf Collection Foundation

The Tempest (Black Mural) (1926) Philadelphia Museum of Art

Woman Dreaming (Sleeping) (1926) Private Collection

Composition (1927) Individual Drove

A Large Painting Which is a Mural (1927)

Expiry Watching His Family (1927) Thyssen-Bornemisza Museum, Madrid

Second Message II (Third Message) (1927) Private Collection

Someone Is Ringing (1927) Private Collection, Switzerland

There! (The Evening Before) (1927) Menil Collection, Houston

He Did What He Wanted (1927) Richard S Zisler Drove, New York

Shadow Country (1927) The Detroit Institute of Arts

Mama, Papa is wounded! (1927) The Museum of Modern Art, New York

Extinction of Useless Lights (1927) The Museum of Modern Art, New York

The Hand in the Clouds (1927) Staatsgalerie Stuttgart

End What I Have Begun (1927) Individual Drove

Belomancy I (1927) Museo Nacional Centro de Arte Reina Sofia, Madrid

Surrealist Landscape (1927) Staatlishe Kunsthalle Karlsruhe

Championship Unknown (Surrealist Composition) (1927) Ulla and Heiner Pietzsch Collection, Berlin

Title Unknown (He Comes) (1928) Private Collection

Onetime Horizon (1928) National Gallery of Australia, Canberra

Unspoken Depths (1928) Private Collection

The Dark Garden (1928) Kunstsammlung Nordrhein-Westfalen, Düsseldorf

Tomorrow They Shoot Me (1928) Sara Hildén Fine art Museum, Tampere, Republic of finland

Tabernacle (1928)

Landscape with Red Deject (1928) Private Collection

Title Unknown (1928) Cleveland Museum of Fine art, Ohio

Indifferent Drouning/Indifferent Walnut Tree (1929) Private Collection

Perfect Residue (1929) Gunter Sachs Collection

Outside (1929) Scottish National Gallery of Modernistic Art, Edinburgh

Lit Bleu (1929) Private Drove

Inspiration (1929) Musée des Beaux-Arts de Rennes

L'Avion (1929)

The Look of Bister (1929) The National Gallery of Art, Washington DC

The Lovers (1929) Museum Folkwang, Essen

Derive d'Azur (1929) Museum Ludwig, Köln

Out of the Blue (1929) Individual Collection

The Pulp Sky (1929) Mount Holyoke College Museum

Views (1929) Individual Collection

Satin Pillow (1929) Art Gallery of Ontario, Toronto

Cloud (1930) Private Collection

La Splendeur Semblable (1930)

Neither Legends Nor Figures (1930) Menil Collection, Houston

Clouds of Earth (The Man) (1930) Private Collection

Like Resplendence (1930) Kunstmuseum, Basel

Tower of the West (1931) Kunstmuseum Winterthur

Promontory Palace (1931) Peggy Guggenheim Collection, Venice

The Armoire of Proteus (1931) Private Collection

Four-Part Screen (The Empyrean) (1932) Berardo Collection, Lisbon

The Center of the Tower (1933) Private Drove

The Finality of the Never-Seen (1933) The Art Institute of Chicago

Betwixt the Grass and the Air current (1934) Private Collection

The End of the Rope (1934) Individual Collection

I Am Waiting for Y'all (1934) Los Angeles County Museum of Art

The Passage of a Smile (1935) The Toledo Museum of Art

Échelles (1935) Manchester Art Gallery

The Meeting-Place of Parallels (1935) Kunstmuseum, Basel

Title Unknown (Metaphysical Mural) (1935) Staatsgalerie Stuttgart

Palming (1935) Individual Drove, Hamburg

The New Nomads (1935) John and Mable Ringling Museum of Art, Sarasota

The Geometer of Dreams (1935) Private Collection

Untitled (1935) Drove of Carlo F. Bilotti

Heredity of Acquired Characteristics (1936) Menil Collection, Houston

L'Extinction des Especes (1936)

From the Other Side of the Bridge (1936) Private Collection, New York

The Nest of the Amphioxus (1936) Museum of Grenoble

Treasures of the Sea (1936) Private Collection

Fragile (1936)

Manner of Heredity (1936) Private Collection

The Air in Her Mirror (1937) Sprengel Museum, Hanover

Les Filles des Conséquences (1937)

The Doubter (The Interrogation) (1937) Hirshhorn Museum and Sculpture Garden, Washington DC

The Sunday in its Jewel Case (1937) Peggy Guggenheim Collection, Venice

Lingering 24-hour interval (1937) Musée National d'Art Moderne, Heart Pompidou, Paris

Movements and Acts (1937) Smith College Museum of Art

Title Unknown (Mural) (1938) Individual Collection

Familiar Little Person (1938) Musée National d'Art Moderne, Middle Pompidou, Paris

Ennui and Repose (1938) Private Collection

Colorlessness and repose (1938) The Jeffrey H. Loria Drove

Hidden Thoughts (My Hidden Thoughts) (1939) San Francisco Museum of Modern Art

If information technology Were (1939) Private Collection

La Rue aux Levres (1939)

The Article of furniture of Time (1939) The Museum of Mod Fine art, New York

The Not bad Nacre Butterfly (1939) Individual Collection

2d Thoughts (1939) San Francisco Museum of Modern Art

Satin Tuning-Fork (1939) Drove of Mr and Mrs Jacques Gelman

The Satin Tuning Fork (1940)

Belomancy II (1940) Private Collection

The Witness (1940) Collection of Mr and Mrs Frederick R. Weisman

A Little Later (1940) Individual Collection

The Earth and the Air (1941) Baltimore Museum of Art

On Slanting Ground (1941) Peggy Guggenheim Collection, Venice

The Five Strangers (1941) Wadsworth Atheneum, Hartford

The Palace of Windowed Rocks (1942) Musée National d'Art Moderne, Heart Pompidou, Paris

Naked Water (1942) Hirshhorn Museum and Sculpture Garden, Washington DC

The Long Pelting (1942) Honolulu Museum of Art

Indefinite Divisibility (1942) Albright-Knox Fine art Gallery, Buffalo

The Absent Lady (1942) Kunstsammlung Nordrhein-Westfalen, Düsseldorf

The Great Mutation (1942) The Museum of Modern Art, New York

Slowly Toward the Due north (1942) The Museum of Mod Art, New York

The Stone in the Tree (1942) The Arizona State Academy Fine art Museum, Tempe

Minotaur (1943) Fundació Joan Miró, Barcelona

Through Birds, Through Fire and Non Through Glass (1943) The Minneapolis Establish of Arts

Reply to Red (1943) The Minneapolis Constitute of Arts

Zones D'Instabilite (1943)

Equicocal Colors (1943) Private Collection

The Prodigal Never Returns I (1943) Drove of Mr and Mrs Leonard Yaseen

The Prodigal Never Returns II (1943) Collection of Mr and Mrs Leonard Yaseen

The Prodigal Never Returns III (1943) Collection of Mr and Mrs Leonard Yaseen

The Prodigal Never Returns 4 (1943) Drove of Mr and Mrs Leonard Yaseen

Distances (1944) Private Collection

Twice (1944) Private Collection

The Tower of the Ocean (1944) Washington University Gallery of Art, St Louis

My Life, White and Black (1944) Collection of Mr and Mrs Jacques Gelman

The Rapidity of Sleep (1945) The Art Constitute of Chicago, Chicago

There, Motion Has Not Notwithstanding Ceased (1945) Richard S Zeisler Collection, New York

In that location the Mouth has not Ceased Yet (1945) Collection of Richard Due south. Zeisler

The Provider (1945) Private Collectio

Hands and Gloves (1946) Musée d'Art Moderne de Saint-Etienne

Clothed in Wakefulness (1947) Collection of Mr and Mrs Isidore M. Cohen

There Is (1947) Private Collection

At the Take chances of the Sun (1947) Nelson Gallery - Atkins Museum, Kansas Metropolis

From One Dark to Another (1947) de Young Museum, San Francisco

Kickoff Stone (1947) Individual Collection

Who Will Respond (1948) Collection of Mr and Mrs Herbert Lust

Fearfulness (1949) Whitney Museum of American Art, New York

Rose of the 4 Winds (1950) Wadsworth Atheneum, Hartford

The Immense Window (1950) Individual Collection

From Stake Hands to Weary Skies (1950) Yale University Art Gallery

To look at in Winter (1950) Smith College Museum of Art

Unlimited Sequences (1951) Pennsylvania Academy of Fine Arts, Philadelphia

The Invisibles / The Transparent Ones (1951) Tate Modernistic, London

The Hunted Sky (1951) Menil Collection, Houston

Time Without Change (1951) University of Arizona Museum of Art, Tucson

The Stars in Open up-Work (1951) The Art Institute of Chicago

Considering (1951) Williams College Museum of Art

This Morning time (1951) Drove of Nesuhi Ertegun

Through the Forest (1952)

The Delusion of Time (1954) The Metropolitan Museum of Art, New York

The Saltimbanques (1954) Richard L Feigen, New York

Imaginary Numbers (1954) Thyssen-Bornemisza Museum, Madrid

From Green to White (1954) Collection of Mr and Mrs Jacques Gelman

Multiplication of the Arcs (1954) The Museum of Modern Fine art, New York

Olivier Berggruen, Yves Tanguy, Peintre De 50'Illusion Métaphysique in Yves Tanguy, Malingue (2002), pp. 9 - 13

An Of import Private Drove of Works by Yves Tanguy (2001) Published past Christie'south New York

Yves Tanguy: The Graphic Work (1976) Published by Wolfgang Wittrock - Authors: Wolfgang Wittrock and Stanley W Hayter

Yves Tanguy (1974) Published by Acquavella Galleries, Inc. - Authors: Nicholas G Acquavella and John Ashbery

Yves Tanguy (1974) Published by Éditions Filipacchi - Author: Daniel Marchesseau

Yves Tanguy (First Edition 1955, Second Edition 1977) Published by Museum of Modern Art - Writer: James Thrall Soby

Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy (2011) Published past the Katonah Museum of Art and the Mint Museum with the Pierre Matisse Foundation, New York - Authors: Stephen Robeson Miller, Jonathan Stuhlman

Yves Tanguy Wikipedia

(Text) CC Past-SA

woottenlartax.blogspot.com

Source: https://alchetron.com/Yves-Tanguy

Share this post